The sheet music collection at Mississippi State is a fine archive that I haven’t come across before. Something notable about them is that they publish the music as PDFs rather than images embedded in web pages. Although it’s a bit annoying to not be able to browse the pages, it’s really nice to not have to grab and print each page one by one.
Here’s the cover sheet for their scan of the 1899 cakewalk Smokey Mokes:
I have created a little utility to help people who don’t have Sibelius change the key of a Sibelius file using the Scorch plugin. I give you:
Blind Blake — He’s in the Jailhouse Now (MP3)
I put together a lead sheet of the 1920s classic “He’s in the Jailhouse Now” because I needed it to rehearse a biggish band, and there’s no reason to keep it to myself.
According to Roosevelt’s Blues, the song has been traced back to at least 1917, but the use of the abusive term “coon” in the lyrics may point to an earlier origin, perhaps around the turn of the century.
The song’s origins were probably in the medicine show circuit, according to Songsters and Saints. Ernest Rogers claimed to have sung it over the radio as early as 1922.
In 1924 it was recorded by the jug band leader Buford Threlkeld – “Whistler” – as “Jail House Blues”.
The veteran medicine show entertainer Jim Jackson
recorded it in 1927. Earl McDonald’s Original Louisville Jug Band recorded recorded an almost identical version in 1927. Again in 1927, Blind Blake recorded a version with a medicine show banjo player named Gus Cannon. There was another version, in 1930, by the Memphis Sheiks, aka The Memphis Jug Band. And the best known and most enduring early version was made in 1927 by the proto-country singer Jimmie Rodgers, who had a background in the medicine show circuit.
All Music Guide, by the way, usually credits the song to Jimmie Rodgers, which goes to show something or other.
As old as this song is, the copyright status is less clean than with most of the music on this site. This is based most closely on the Memphis Jug Band’s version, which was recorded in 1930 and is not yet in the public domain in the US. Most of the words in that version probably come from sources now in the public domain, but there are also probably additions that are still under copyright, I just don’t know what they are. So caveat emptor if you record this. My own copyrightable contributions, including these files, are under the Creative Commons Attribution-Sharealike license, which means you’re free to share and modify them as long as you give credit and extend the same courtesy.
For a printout grab this PDF version of the lead sheet. If you want to edit my version, grab the Sibelius source file. If you just need to change the key and don’t have Sibelius, you can use the Scorch-O-Matic to do it in the browser. And here’s the PNG:
The following MP3s a very dirty jokes from the 1890s on a wax cylinder recording, via the incredible Archeophone release Actionable Offenses: Indecent Phonograph Recordings from the 1890s:
Obscene Recordings from 110 Years Ago
The commercial recordings on this CD are the only known copies that Comstock’s men missed. They were preserved by long-time Edison Recording Manager Walter Miller and are now in the vault of the Edison National Historic Site. Scarcity and suppression have kept them silent for a century. They were stories told readily in the bar; yet they became legally actionable offenses when fixed in wax and played on a phonograph in that same bar. Brace yourself. Just because they are from the Victorian era does not mean they are tame by today’s standards—far from it.
Pioneer Recording Artist Goes to Jail
They are so indecent that Russell Hunting was imprisoned in 1896 for making and selling them. Up to that point Hunting had been doing a brisk trade selling his bawdy cylinders to the exhibitors on Coney Island who had certain “discriminating” customers. Although he recorded under pseudonyms such as “Charley Smith” and “Willy Fathand,” his voice was so well-known through his “Casey” routines that he was identified as the creator by aural evidence alone. Hunting’s recording career never fully recovered, and he left the U.S. in 1898 to make a fresh start in England.
These would not be safe for work in any way shape or form if your coworkers could figure out what they’re saying. You might have to listen 7-8 times to understand the details. “A Hard Head” is unbelievably funny and filthy, but it could take quite a while to figure it out. “Whore’s Union price list” is not far off and the recording is a lot more clear.
Whore’s Union price list (MP3)
To an enthusiast of historical American pop culture this stuff is mind boggling for the way it brings those times to life. Topics reserved for dirty jokes are important, and the lack of them in the historical record makes those times abstract and distant. You know intellectually that the texture of life was the same then as now, pretty much, but no amount of imagination can fill the gaps like verbatim potty talk and gross-outs.
I’ll do a solo show at the Echo Curio in Echo Park, Los Angeles, tomorrow night. Showtime loosely 9:45. Suggested donation $5. Other acts on the bill are Mark Miller of skeeter truck, who plays in a lonesome slide style, and a fine bluegrass combo called the Homebillies.
To help people play Frog in the Well for themselves, here’s guitar tablature and sheet music:
I know this tune as “King Kong Kitchie Kitchie Ki-Me-O” by Chubby Parker & His Old Time Banjo, from Harry Smith’s Anthology Of American Folk Music. So, I was a little curious about some of the history around this tune, was poking around the web, and found that Roger McGuinn has a whole post on the history of King Kong Kitchie Kitchie Ki Me O:
“King Kong Kitchie Kitchie Ki Me O” is a version of the old English song “Frog Went A-Courting.” Its first known appearance is in Wedderburn’s Complaynt of Scotland (1548) under the name “The frog came to the myl dur.” There is a reference in the London Company of Stationer’s Register of 1580 to “A Moste Strange Weddinge of the Frogge and the Mouse.” The oldest known musical version is in Thomas Ravenscroft’s Melismata in 1611.
There’s more in McGuinn’s post, including the lyrics and an mp3 of a performance of the song by McGuinn himself, I think.
For people who aren’t going to dowload the tablature, here’s a quick look at it:
This post is a recording of a civil war fife and drum tune called “Frog in the Well.” It’s short and simple.
MP3 version: Lucas Gonze — Frog in the Well (MP3) (1:12)
FLAC version: Lucas Gonze — Frog in the Well (FLAC) (1:12)
As always, this recording is licensed under the Creative Commons Attribution-Sharealike license, and you are welcome to ask for a version under a different license (like a fully commercial license or a CC non-commercial license.
Update: for tablature and sheet music, see the followup post to this one.
The author of Centennial Grand March and arranger of Celebrated Shoo Fly Galop and Must I, Then turns out to have been a music teacher and equipment dealer in Boston.
What catches my eye is that he was both a musician and a businessman in the music industry, selling instruments and equipment but also composing and teaching. It’s like Guy Hands of EMI putting out his own CDs.
I ran across this ad in C. F. Martin and His Guitars, 1796-1873, which is a great book about American music history.
On June 21 I’ll be sitting in with Girlz of Zaetar. It’ll be a psycho freakout rather than my normal sedate instrumentals. Should be chaotic and messy in a fun way.
Sun Ra and Funkadelic Intriguing sprawl of free jazz, religious ecstasy, and entertainingly devolved ideas about sound, rhythm, tempo, and togetherness. – A brazen display of cacaphony that will bring a tear to your eye The spirit of Ra says you would be foolish not to give them a listen.
Then that night I’ll play jazz with Tequila Mockingbird at Zero One Gallery. This is a regular party that Tequila organizes, and it’s usually freaktastic.
Mixtape Mixtape has done a single combo MP3 of my Vess Ossman playlist with all the songs together and with DJ trimmings like no gaps between songs, fading songs together, and normalized volume, so that you can easily download all the songs to your portable and listen to them in one shot.
Check it out: Vess Ossman on Mixtape Mixtape.
Lucas Gonze — Frog in the Well (MP3)